Researching your novel (part 3: modern day)
Contemporary Fiction
Continuing on from last week’s historical research, we move into the world of contemporary research. Y0u can’t get lazy just because your story is set in the world around you. In fact, if anything, you’ve got to be more careful. Why?
Because your readers are from modern times, and so they’re far more likely to your spot mistakes.
Example: It’s not likely Average Helen will know whether Bunsen burners were present in an 1876 lab (they were), but Average Helen really might know that Canadians don’t actually say “eh” at the end of every sentence (though I’ve met a few who do).
So what do you need to research? Anything you don’t know about but that forms a major part of your story. Duh, right?
Aspects you’ll need to consider in your research:
- Religion (boy-oh-boy, don’t mess this one up!)
- Language, slang, or accent
- Region, city, or neighborhood
- Politics
- Culture
- Climate
- Setting
- Profession
- Culture
- Education
- Social class
- Lifestyles (e.g. GLBT, upper middle class, sorority, gangs, etc.)
The list goes on, depending on what you include in your story. For example, if you’re telling the tale of a Filipino whose family uses cyanide to hunt aquarium fish on coral reefs until the WWF or Greenpeace or even the FAO gets in his way, then phew. I would guess there’s a lot of things you’re going to have to look into — Phillipines culture, the MC’s religion, local climate, coral reef ecology, aquarium fish market, NGO power, social hierarchy, life on ricekty boats, and on and on and on.
The point is, you can’t fudge. At least, you can’t fudge if you want to share your story with readers. It’s just not fair to assume they don’t care about the details.
Where to Research
First place to head will always be the internet — natürlich. Do your preliminary research on Wikipedia. Get a feel for the amount of specific research your going to have to delve into. Look at other sites, like organizations for professionals or the official sites for religions. Of course, always verify the quality of your source. You don’t wanna be taking information from an ill-informed kook. As a rule, though, a lot of your initial questions can be answered via the internet.
It’s the specific details that you’re going to need help with.
So second, head to the library. For any research, the librarian will be able to help you. I promise; it’s what their trained to do. And yet again, primary and secondary sources will appear before you.
Primary source examples: Courtroom proceedings, periodical publications, interviews, reality TV, government records, cookbooks, fashion magazines, CDs, religious texts, and so on.
Secondary source examples: Textbooks, tourist guides, documentaries, encyclopedias, essays analyzing other sources, and so on.
Now what about the stuff you can’t find recorded somewhere? Third, find someone who knows and ask. Need to know about police procedures? Ask a cop. Want to know how to get out of a strangle? Ask a self-defense teacher (or me — you can ask me too). Want to know how a fourteen-year-old speaks? Talk to a 14-year-old (or read novels aimed at that age). Want to know what the opposite sex really thinks? Ask some guys/girls and find out.
A Few Sites to Peruse
- archive.org — while this site offers a plethora of historical primary sources, it also offers many modern-day primary sources.
- Finding information on the internet — this is a tutorial from the University of Berkeley that guides you through the best way to locate and utilize online sources.
- Professinoal organizations — a list websites for professional organizations grouped by category.
- USA’s general laws and regulations — if you need to know the basics of what you can and cannot do in the US, head here.
- Galileo — if you’re from Georgia (like me), then this a resource you absolutely do not want to miss.
Final Note
I can’t emphasize enough the importance of getting these details right.
If you’re 10-year-old MC doesn’t act or speak like a 10-year-old, you’re not gonna sell your story.
If you let a karate black-belt get strangled to death, you’re gonna tick off all martial artists who might have read your book.
If that German character doesn’t speak with the right accent (I’ve seen this before! It made me sooooooo angry and I haven’t bought another book buy that writer since.), then all German readers, won’t buy your work.
You get the idea, right? Next week, I’ll talk about researching one area that I’m intimately familiar with and that people often get wrong:
science.
Happy writing!
-S.
Ian
July 28, 2010 @ 2:55 pm
One of the first pieces of wisdom I heard after joining the OWW was this: “You don’t have to get everything right, but you can’t get anything wrong.”
Susan
July 28, 2010 @ 3:30 pm
Nice… I like that line.
Ian
July 28, 2010 @ 6:21 pm
It took me a loooong time to understand what that person was getting at. But I think it makes sense. I think.
My next project will be about space unicorns who live in the far distant future in a magical universe with different and constantly-changing laws of physics. Goodbye, research!
Susan
July 28, 2010 @ 6:49 pm
Aahahaha. I laugh aloud at that…. (laugh aloud, not lol.. lol has destroyed the world of laughter by trivializing the hard-earned chuckle into a ridiculous acronym.)
Yay for unicorns in space!
Ian
July 28, 2010 @ 8:00 pm
Their nemesis is Vlad Jetpack (king of the space vampires). He’s also an evil wizard who changes the story mechanics at will.
Cheyenne
November 17, 2010 @ 12:01 pm
I’m a bit late in responding to this but only just found your (lovely and helpful!) website.
The thing about accents I find is that when authors tell you “Character X is Scottish” and then throw in only the occasional word or slang or phrase work better for me (and thus, this is how I prefer to write). That way, you don’t a) annoy the heck out of the reader having to read phonetically spelled out accents and b) you don’t run the risk of as many mistakes.
I say that, but some characters do work better when their way of speaking is illustrated (I’m thinking of Hagrid primarily for some reason!). He works for me, but if everything that came out of McGonagall’s mouth, or Seamus’s or whomever else was phonetic based on their accent, I think it would begin to get tiresome.
Of course, sticking with the Harry Potter theme, I’m currently re-reading Goblet of Fire for the 50th time and I’m on the fence whether Fleur and Krum’s accents seem a bit over-emphasised… As much as I love HP (and that’s a MASSIVE amount), I find it *almost* borders on making them caricatures rather than characters. Almost. But then, maybe that’s the point.
Just random thoughts 🙂
Oh! And lastly, when you said “Want to know what the opposite sex really thinks? Ask some guys/girls and find out.” – this made me laugh. I’ve been trying to get that out of my boyfriend for several years now 😉
Love your site!